WORKSHOP 1 Effects and techniques
This is the pedalboard plugin that was used on the guitar. The effects I used on the pedalboard were chorus and echo. The chorus effect was used to add more depth to the guitar track on my song. I added the echo pedal for delay to add more depth and make it sound a bit spacious.
This is the Adaptive Limiter plugin. It is a limiter plugin I used on the master track of the song to make it louder while avoiding clipping and distortion.
WORKSHOP 2 Effects, notes and techniques
I have used the compressor to reduce the dynamic signals in the bluebird drums, so the highest and quietest parts are on a similar level.
I used the Phat FX to add a punch to the blazing hot guitar to make it sound more percussive as I wanted to recreate a percussive sound without using an instrument known for percussion.
Drums: The midi I have used is called a step sequencer. I have used: Kick C1, Snare sidestick C#1, snare center D1, snare rimshot E1 and High Hat closedF#1.
The notes programmed are:
C1,C#1,D1,E1 and F#1.
Electric Bass: The midi I have used is called a Step Sequencer. The instrument is a Ballard Electric Bass. I have programmed triads. These triads are as follows:
1) A2, F2 , D2
2) C2, A2, F2
3) E3, C3, A2
4) B2, G2, E2
5) D2, B2, G2
6) A2, D2, B2
I also used E2 after the second and fifth triad to add some variation.
Electric Guitar Blazing Hot: The midi I have used is called a Step sequencer. The instrument is an Electric guitar. The note pattern for this is A2, B2, D3, B2 and C#3.
Electric Guitar Blazing Hot: The midi I have used is called a Step sequencer. The instrument is an Electric guitar. The note pattern for this is A2, B2, F#2, G2, D3, F#2, B2, B2, and G2.
WORKSHOP 3 Effects, notes and techniques
I used EQ to boost the lower, middle, and high end to make the FM synth brass sound more full.
I used space designer reverb to give depth and space to the FM synth brass, I also used it to make the tracks sound more cohesive together.
The instrument is Absolute Zero drums: The midi I have used is called a step sequencer. i have used: Kick C0, Snare 1 C3, Snare 2 G#2 Clap C3 and High Hat c3. This is in 4/4 time signature.
The instrument is FM Synth Brass: The midi I have used is called a step sequencer. The note pattern for this is C2, D2, E2, G2, F2, E2, C2, C2,D2, E2, G2, E2,,C2
The instrument is a Chinese Ruan Moon Guitar+: The midi I have used is called a Step Sequencer. I have programmed triads. These triads are as follows:
1) G2, E2 , C2
2) A2, F2, D2
3) G2, E2 , C2
4) A2, F2, D2
The instrument is Synth Arp: The midi I have used is called a step sequencer. The note pattern for this is F2, A2, F 2and B2
The instrument is Zap Bass: The midi I have used is called a step sequencer. The note pattern for this is C2, D2, E2 and D2
The instrument is 8 Choir & Flute: The midi I have used is called a step sequencer. The note pattern for this is E2, E2, C2, E2, C2, F2, D2,
WORKSHOP 4 Effects, notes and techniques
I used overdrive to add distortion to the 90s stereo synth bass and add a warm texture through the distortion.
I used the microphaser to add a swooshing sound, for example, fading in and out. I used this effect on the 80s signature keyboard to add texture so the track isn't boring.
The instrument is an 80s Signature Keyboard: The midi I have used is called a step sequencer. The note pattern for this is G2, E2, C3, B2, D3, G2
The instrument is 80s Bitrate Synth: The midi I have used is called a Step Sequencer. I have programmed triads. These triads are as follows:
1) B2, G2, E2
2) D3, B2, G2
3) C3, A2, F#2
4) B2, G2, E2
The instrument is the Stereo Synth Bass: The midi I have used is called a step sequencer. The note pattern for this is G2, G2, C3, G2, C3, G2
the Scratch and drum Tracks do not Show the note pattern due to them being samples
WORKSHOP 5 Effects, notes and techniques
I added the bass amp designer to the picked bass because it emulates an American D.I box and three famous bass guitar amplifiers which I think has added a lot of texture and energy to my bass.
I have used the compressor to reduce the dynamic signals in the picked bass so the highest and quietest parts are on a similar level.
The instrument is the Reversing Mood Keys: The midi I have used is called a step sequencer. The note pattern for this is D2, F2, G#2, F2, G2, D2, F2, G#2, F2
The instrument is Faded Keys: The midi I have used is called a Step Sequencer. I have programmed triads. These triads are as follows:
1) A#2, G2 , D#2
2) C3, G#2, F2
3) G2, D#2, C2
4) A#2, G2 , D#2
The instrument is Picked Bass: The midi I have used is called a step sequencer. The note pattern for this is C3, C3
The instrument is Picked Bass: The midi I have used is called a step sequencer. The note pattern for this is D2, F2,D#2,D2
the Four on the Floor drum Track does not Show the note pattern due to it being a sample
WORKSHOP 6 Effects, notes and techniques
I used ensemble to add richness and movement to the synth pop strings instrument by adding variation to the pitches which creates a detuned sound quality that I wanted for my track.
I used stereo delay on the synth pop strings because it allows you to control the feedback, delay, and mix parameters between two channels on a stereo track. This allows you to create a delayed sound with feedback, which I wanted.
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The instrument is blazing hot drums: The midi I have used is called a step sequencer. i have used: snare 2 which repeats eight times and the note is E1. The track is in a 4/4 time signature..
The instrument is blazing hot drums: The midi I have used is called a step sequencer. i have used: snare 2 which repeats eighteen times and the note is E1. The track is in a 4/4 time signature..
The instrument is Downing Boom: The midi I have used is called the piano role. I have used the pencil tool to draw in the notes. The note pattern for this is C6, D6, C#6, C#6 and D6
The instrument is Synth Pop Strings: The midi I have used is called the piano role. I have used the pencil tool to draw in the notes. The note pattern for this is C6 repeated eight times, C#6 repeated eight times and a dyad which is D6 and C6
The instrument is Synth Pop Strings: The midi I have used is called the piano role. I have used the pencil tool to draw in the notes. The note pattern for this is C6 then C6 is repeated eight times after that d6 is repeated eight times
The instrument is Extraterrestrial Presence: The midi I have used is called the piano role. I have used the pencil tool to draw in the notes. The note pattern for this is C3, C#3, D3, D3, then a tetrad which is E3, D3, C#3, C3, then C3 repeated four times and another tetrad which is E3, D3, C#3 and C3
The instrument is Age Of Steam Kit: The midi I have used is called step sequencer. The note pattern for this is G2 which repeats eight times
The instrument is Thunder Drum Kit: The midi I have used is called step sequencer. The note pattern for this is F2, G2, A2
the Venom soundtrack sample does not Show the note pattern due to it being a sample but I made sure that I used the key signature, but I made sure that I used the key signature for the rest of the track.
WORKSHOP 7 Effects, notes and techniques
I used the bitcrusher to emulate the sound of early digital audio devices, creating artificial distortion by dividing the sample rates or to distort signals until you can't recognise them. I used this effect because I wanted the 80s pluck bass to be distorted so that it sounds different from your typical plucked bass which people might find interesting.
I used chromaverb to give depth and space to the entire track, I used a master track to do this, I also used it to make the tracks sound more cohesive together.
The instrument is 80s Pluck Bass: The midi I have used is called a step sequencer. The note pattern for this is D2, D#2, D2, F2, D#2, D2
The instrument is faded keys: The midi I have used is called a step sequencer. The note pattern for this is D2, F2, D#2, D2
The instrument is Eastern Synth Guitar: The midi I have used is called a Step Sequencer. I have programmed triads. These triads are as follows:
1) G#2, F2 , D2
2) A#2, G2 D#2
3) C3, G#2, F2
4) G2, D#2 , C2
the angelic vocal and drum tracks do not Show the note pattern due to it being a sample, but I made sure that I used the key signature for the rest of the track.
WORKSHOP 8 Effects, notes and techniques
I used EQ to boost the high end to make the analog horns sound more full.
I used space designer reverb to give depth and space to the preachy hammond, I also used it to make the tracks sound more cohesive together.
The instrument is Pluck Bass: The midi I have used is called a step sequencer. The note pattern for this is C2, E2, C2.
The instrument is Preachy Hammond: The midi I have used is called a Step Sequencer. I have programmed triads. These triads are as follows:
G2, E2, C2
B2, G2, E2
G2, E2, C2
A2, F2, D2
The instrument is sticky percussion: The midi I have used is called a step sequencer. The note pattern is below:
C2, F2, D2
The instrument is gamers organ. The midi I have used is called step sequencer notes pattern is below:
C2, E2, D2
The instrument is called analog horns. I used the midi technique step sequencer- the notes are below.
C2, D2, F2, G2, D2, F2, E2.
The name of the instrument is afrobeat drums. the track does not Show the note pattern due to it being a sample.
Development 1 Grime effects, notes and techniques
i have used the high-cut frequency filter on the automation to build up energy and tension on the angelic vocals track
The instrument is faded keys: The midi I have used is called a step sequencer. The note pattern for this is C3, D#3, G3, G#3, C4, A#3, G3, C3,F3, D#3, D3, G#3, G3, C4, A#3
The instrument is faded keys: The midi I have used is called a step sequencer. The note pattern for this is C3, G3, D3, D#3, F3, G3, G#3, G3, C3, D#3, D3, C3 D#3, G3, F3, D#3
The instrument is Alley River Synth: The midi I have used is called a step sequencer. The note pattern for this is C2, D#2, D#2
The name of the instrument is Grime Drums. the track does not Show the note pattern due to it being a sample.
Development 2 Afrobeat effects, notes and techniques
I have used the space designer wet filter on my automation for the Preachy Hammond so the end of the track doesn't sound like it ends suddenly.
The instrument is called 8mm Film Sequence: The midi I have used is called a step sequencer. The note pattern for this is C2, F2, E2, D2, F2, C2, D2, E2, D2, G2
The instrument is called 8mm Film Sequence: The midi I have used is called a step sequencer. The note pattern for this is C2, E2, F2, D2, E2, C2, F2, E2, D2, C2